2012年12月14日星期五
Chanel Coco Noir Eau de Parfum
Best perfume 2012
Chanel Coco Noir Eau de Parfum ($98.00 for 1.7 fl. oz.) is a recently released scent that was supposed to mark the return to Oriental fragrances for Chanel. It has notes of grapefruit, bergamot, orange, rose, jasmine, geranium, patchouli, tonka bean, vanilla, sandalwood, and white musk.
Coco Noir spends most of the time smelling like sweet berries and patchouli. From beginning to end, a lot of the other notes are barely detectable; if I wasn’t specifically looking for them, I don’t think I’d have caught on that they were, in fact, supposed to be there. Initially, there’s a hint of grapefruit–a little zest–but it fades too quickly. In the first hour or so, the rose and jasmine notes peek through. They linger but disappear beneath a haze of sweetened berries, patchouli, and a hint of musk. On me, there’s some soapiness after four or five hours.
It wears close to the skin on me with two spritzes (one on each wrist), and the fragrance wears noticeably for around six hours and is mostly gone by eight hours. It’s a blend of sweetness and light, berries and patchouli, that never gets too sweet but never reads noir. (It is a bit like how I felt about Tom Ford’s Jardin Noir collection.) The scent is incredibly well-blended, and on the whole, a wearable, easygoing fragrance that many will love, but if you were looking for something particularly interesting, innovative, or noir, you may not be so keen on this scent. Coco Noir is soft, lightly warmed up–like a light jacket for the first days of autumn.
Chanel Coco Noir Eau de Parfum ($98.00 for 1.7 fl. oz.) is a recently released scent that was supposed to mark the return to Oriental fragrances for Chanel. It has notes of grapefruit, bergamot, orange, rose, jasmine, geranium, patchouli, tonka bean, vanilla, sandalwood, and white musk.
Coco Noir spends most of the time smelling like sweet berries and patchouli. From beginning to end, a lot of the other notes are barely detectable; if I wasn’t specifically looking for them, I don’t think I’d have caught on that they were, in fact, supposed to be there. Initially, there’s a hint of grapefruit–a little zest–but it fades too quickly. In the first hour or so, the rose and jasmine notes peek through. They linger but disappear beneath a haze of sweetened berries, patchouli, and a hint of musk. On me, there’s some soapiness after four or five hours.
It wears close to the skin on me with two spritzes (one on each wrist), and the fragrance wears noticeably for around six hours and is mostly gone by eight hours. It’s a blend of sweetness and light, berries and patchouli, that never gets too sweet but never reads noir. (It is a bit like how I felt about Tom Ford’s Jardin Noir collection.) The scent is incredibly well-blended, and on the whole, a wearable, easygoing fragrance that many will love, but if you were looking for something particularly interesting, innovative, or noir, you may not be so keen on this scent. Coco Noir is soft, lightly warmed up–like a light jacket for the first days of autumn.
Chanel Coco Noir Eau de Parfum ($98.00 for 1.7 fl. oz.) is a recently released scent that was supposed to mark the return to Oriental fragrances for Chanel. It has notes of grapefruit, bergamot, orange, rose, jasmine, geranium, patchouli, tonka bean, vanilla, sandalwood, and white musk.
Coco Noir spends most of the time smelling like sweet berries and patchouli. From beginning to end, a lot of the other notes are barely detectable; if I wasn’t specifically looking for them, I don’t think I’d have caught on that they were, in fact, supposed to be there. Initially, there’s a hint of grapefruit–a little zest–but it fades too quickly. In the first hour or so, the rose and jasmine notes peek through. They linger but disappear beneath a haze of sweetened berries, patchouli, and a hint of musk. On me, there’s some soapiness after four or five hours.
It wears close to the skin on me with two spritzes (one on each wrist), and the fragrance wears noticeably for around six hours and is mostly gone by eight hours. It’s a blend of sweetness and light, berries and patchouli, that never gets too sweet but never reads noir. (It is a bit like how I felt about Tom Ford’s Jardin Noir collection.) The scent is incredibly well-blended, and on the whole, a wearable, easygoing fragrance that many will love, but if you were looking for something particularly interesting, innovative, or noir, you may not be so keen on this scent. Coco Noir is soft, lightly warmed up–like a light jacket for the first days of autumn.
Coco Noir spends most of the time smelling like sweet berries and patchouli. From beginning to end, a lot of the other notes are barely detectable; if I wasn’t specifically looking for them, I don’t think I’d have caught on that they were, in fact, supposed to be there. Initially, there’s a hint of grapefruit–a little zest–but it fades too quickly. In the first hour or so, the rose and jasmine notes peek through. They linger but disappear beneath a haze of sweetened berries, patchouli, and a hint of musk. On me, there’s some soapiness after four or five hours.
It wears close to the skin on me with two spritzes (one on each wrist), and the fragrance wears noticeably for around six hours and is mostly gone by eight hours. It’s a blend of sweetness and light, berries and patchouli, that never gets too sweet but never reads noir. (It is a bit like how I felt about Tom Ford’s Jardin Noir collection.) The scent is incredibly well-blended, and on the whole, a wearable, easygoing fragrance that many will love, but if you were looking for something particularly interesting, innovative, or noir, you may not be so keen on this scent. Coco Noir is soft, lightly warmed up–like a light jacket for the first days of autumn.
Chanel Coco Noir Eau de Parfum ($98.00 for 1.7 fl. oz.) is a recently released scent that was supposed to mark the return to Oriental fragrances for Chanel. It has notes of grapefruit, bergamot, orange, rose, jasmine, geranium, patchouli, tonka bean, vanilla, sandalwood, and white musk.
Coco Noir spends most of the time smelling like sweet berries and patchouli. From beginning to end, a lot of the other notes are barely detectable; if I wasn’t specifically looking for them, I don’t think I’d have caught on that they were, in fact, supposed to be there. Initially, there’s a hint of grapefruit–a little zest–but it fades too quickly. In the first hour or so, the rose and jasmine notes peek through. They linger but disappear beneath a haze of sweetened berries, patchouli, and a hint of musk. On me, there’s some soapiness after four or five hours.
It wears close to the skin on me with two spritzes (one on each wrist), and the fragrance wears noticeably for around six hours and is mostly gone by eight hours. It’s a blend of sweetness and light, berries and patchouli, that never gets too sweet but never reads noir. (It is a bit like how I felt about Tom Ford’s Jardin Noir collection.) The scent is incredibly well-blended, and on the whole, a wearable, easygoing fragrance that many will love, but if you were looking for something particularly interesting, innovative, or noir, you may not be so keen on this scent. Coco Noir is soft, lightly warmed up–like a light jacket for the first days of autumn.
Chanel Coco Noir Eau de Parfum ($98.00 for 1.7 fl. oz.) is a recently released scent that was supposed to mark the return to Oriental fragrances for Chanel. It has notes of grapefruit, bergamot, orange, rose, jasmine, geranium, patchouli, tonka bean, vanilla, sandalwood, and white musk.
Coco Noir spends most of the time smelling like sweet berries and patchouli. From beginning to end, a lot of the other notes are barely detectable; if I wasn’t specifically looking for them, I don’t think I’d have caught on that they were, in fact, supposed to be there. Initially, there’s a hint of grapefruit–a little zest–but it fades too quickly. In the first hour or so, the rose and jasmine notes peek through. They linger but disappear beneath a haze of sweetened berries, patchouli, and a hint of musk. On me, there’s some soapiness after four or five hours.
It wears close to the skin on me with two spritzes (one on each wrist), and the fragrance wears noticeably for around six hours and is mostly gone by eight hours. It’s a blend of sweetness and light, berries and patchouli, that never gets too sweet but never reads noir. (It is a bit like how I felt about Tom Ford’s Jardin Noir collection.) The scent is incredibly well-blended, and on the whole, a wearable, easygoing fragrance that many will love, but if you were looking for something particularly interesting, innovative, or noir, you may not be so keen on this scent. Coco Noir is soft, lightly warmed up–like a light jacket for the first days of autumn.
chanel make up
Chanel recently released a small eye collection Les Expressions de Chanel outside the U.S. (details here). This includes three eyeshadow quads, including the new Chanel Eyeshadow Quad Variation (#37), part of the Violet Expression Set. The collection also includes Eclosion, which was previously released in the U.S. (reviewed here by The Beauty Look Book), and a neutral set called Intuition. I’ve heard from various sources that this collection is slated for release in the U.S. in either October or November 2012, in the more traditional U.S. square-pan format.
….And this is why I love Chanel. They take a classic combination and simply do it more beautifully.
Sable-Émouvant Eyeshadow Duo is highly blend able, easy to work with, really this duo is perfection. It’s going to coordinate well with this season’s corals and pinks, however this classic combination is going to be an awesome duo for almost anything that you’d want to throw at it. Just layer the lighter color on the lid, and smoke the darker color in the crease. Or use the darker color as a lid-wash, then add a touch of the cream in the inner corner. It couldn’t be easier or more foolproof. Gorgeous perfection.
….And this is why I love Chanel. They take a classic combination and simply do it more beautifully.
Sable-Émouvant Eyeshadow Duo is highly blend able, easy to work with, really this duo is perfection. It’s going to coordinate well with this season’s corals and pinks, however this classic combination is going to be an awesome duo for almost anything that you’d want to throw at it. Just layer the lighter color on the lid, and smoke the darker color in the crease. Or use the darker color as a lid-wash, then add a touch of the cream in the inner corner. It couldn’t be easier or more foolproof. Gorgeous perfection.
….And this is why I love Chanel. They take a classic combination and simply do it more beautifully.
2012年12月13日星期四
chanel wallet
chanel bags
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